{"id":568,"date":"2022-09-28T08:09:00","date_gmt":"2022-09-28T06:09:00","guid":{"rendered":"https:\/\/wpthemetestdata.wordpress.com\/?p=568"},"modified":"2025-11-28T08:12:35","modified_gmt":"2025-11-28T06:12:35","slug":"posvatne-v-cajovem-deni-cast-1","status":"publish","type":"post","link":"https:\/\/whitepeony.eu\/cs\/posvatne-v-cajovem-deni-cast-1\/","title":{"rendered":"Posv\u00e1tn\u00e9 v \u010dajov\u00e9m ritu\u00e1lu. \u010c\u00e1st 1"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zenov\u00e9 praktiky jsou j\u00e1drem mnoha um\u011bn\u00ed V\u00fdchodu a principy v\u00fduky prostupuj\u00ed jak tradi\u010dn\u00ed, tak modern\u00ed kulturu. Objasn\u011bn\u00ed specifik posv\u00e1tna a zku\u0161enost jeho p\u0159e\u017eit\u00ed s \u200b\u200bestetick\u00fdmi buddhistick\u00fdmi praktikami je teoreticky v\u00fdznamn\u00fdm momentem, kter\u00fd umo\u017e\u0148uje zam\u011b\u0159it se na prost\u0159edky k dosa\u017een\u00ed osv\u00edcen\u00ed pomoc\u00ed n\u00e1stroj\u016f, kter\u00e9 m\u00e1 oby\u010dejn\u00fd \u010dlov\u011bk k dispozici.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V sou\u010dasn\u00e9 dob\u011b nad\u0161en\u00ed pro japonskou kulturu a konkr\u00e9tn\u011b japonsk\u00e9, v podstat\u011b buddhistick\u00e9 um\u011bn\u00ed, sv\u011bd\u010d\u00ed o d\u016fle\u017eitosti estetick\u00e9 zku\u0161enosti z\u00edskan\u00e9 zenov\u00fdmi praktikami, kter\u00e1 n\u00e1m umo\u017e\u0148uje roz\u0161\u00ed\u0159it na\u0161e p\u0159edstavy o vlastnostech a potenci\u00e1lu buddhistick\u00e9 kultury obecn\u011b a japonsk\u00e9 zvl\u00e1\u0161t\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Estetick\u00e1 zku\u0161enost je nejd\u016fle\u017eit\u011bj\u0161\u00ed sou\u010d\u00e1st\u00ed lidsk\u00e9 bytosti a charakterizuje ji jako kreativn\u00edho a kontemplativn\u00edho \u010dlov\u011bka. Hlavn\u00edm obsahem estetick\u00fdch zku\u0161enost\u00ed z\u00edskan\u00fdch v buddhistick\u00fdch praktik\u00e1ch je harmonizace \u010dlov\u011bka se sebou sam\u00fdm, s okoln\u00ed p\u0159\u00edrodou, ostatn\u00edmi lidmi, s vesm\u00edrem. Ten, kdo praktikuje zen, j\u00edm \u017eije, vn\u00edm\u00e1 sv\u011bt prizmatem posv\u00e1tna. Posv\u00e1tno \u2013 je jak\u00fdmsi mostem mezi objektivn\u00edm, hmotn\u00fdm sv\u011btem a duchovn\u00edm sv\u011btem. Zen nab\u00edz\u00ed \u0159adu estetick\u00fdch praktik, kter\u00e9 podporuj\u00ed hierofanii, tedy projevov\u00e1n\u00ed posv\u00e1tna v lidsk\u00e9 existenci. Pat\u0159\u00ed mezi n\u011b um\u011bn\u00ed japonsk\u00e9ho \u010dajov\u00e9ho ob\u0159adu, um\u011bn\u00ed vytvo\u0159it malebn\u00fd svitek, um\u011bn\u00ed lukost\u0159elby, um\u011bn\u00ed ovl\u00e1dat me\u010d atd.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cvi\u010den\u00ed zenov\u00e9 \u0161koly lze rozd\u011blit na dva typy: \u201evnit\u0159n\u00ed\u201c, kdy se pr\u00e1ce s v\u011bdom\u00edm uskute\u010d\u0148uje prost\u0159ednictv\u00edm soust\u0159ed\u011bn\u00ed a sebeovl\u00e1d\u00e1n\u00ed a hlavn\u00edmi prost\u0159edky jsou zde mo\u017enosti a schopnosti adepta; \u201evn\u011bj\u0161\u00ed\u201c, kdy adept dos\u00e1hne pot\u0159ebn\u00e9ho vnit\u0159n\u00edho stavu interakc\u00ed s okoln\u00edmi p\u0159edm\u011bty a subjekty. Japonsk\u00fd \u010dajov\u00fd ob\u0159ad a akt vytvo\u0159en\u00ed malebn\u00e9ho svitku jsou specifick\u00e9 \u201evn\u011bj\u0161\u00ed\u201c praktiky. Ob\u011b praxe jsou pom\u011brn\u011b slo\u017eit\u00e9 syst\u00e9my, kter\u00e9 zahrnuj\u00ed: 1) vn\u011bj\u0161\u00ed, viditeln\u00e9 akce (ritu\u00e1ln\u00ed manipulace s p\u0159edm\u011bty); 2) vnit\u0159n\u00ed pr\u00e1ce (kontemplace, pro\u017e\u00edv\u00e1n\u00ed posv\u00e1tna). Vn\u011bj\u0161\u00ed akce vytv\u00e1\u0159ej\u00ed z\u00e1klad pro vnit\u0159n\u00ed pr\u00e1ci a tak\u00e9 d\u00e1vaj\u00ed p\u0159edstavu o vnit\u0159n\u00edm stavu \u00fa\u010dastn\u00edka praxe, proto\u017ee ka\u017ed\u00e1 f\u00e1ze vn\u011bj\u0161\u00ed \u010dinnosti odpov\u00edd\u00e1 ur\u010dit\u00e9 f\u00e1zi vnit\u0159n\u00ed pr\u00e1ce. Po dosa\u017een\u00ed po\u017eadovan\u00e9ho stavu p\u0159ich\u00e1z\u00ed vrchol, okam\u017eit\u00e9 osv\u00edcen\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Posv\u00e1tno v zenov\u00fdch praktik\u00e1ch nen\u00ed z\u0159ejm\u00e9, proto\u017ee p\u016fvodn\u011b nebylo pou\u017e\u00edv\u00e1no jako c\u00edl, ale jako pom\u016fcka. P\u0159i popisu pro\u017eitku pro\u017e\u00edv\u00e1n\u00ed posv\u00e1tna v estetick\u00fdch zenov\u00fdch praktik\u00e1ch je t\u0159eba zd\u016fraznit, \u017ee tato zku\u0161enost je prost\u0159edkem k z\u00edsk\u00e1n\u00ed osv\u00edcen\u00ed, a nikoli \u00fa\u010delem praxe \u010di jej\u00edm vedlej\u0161\u00edm \u00fa\u010dinkem, jak by se na prvn\u00ed pohled mohlo zd\u00e1t.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zenov\u00e1 praxe je zde syst\u00e9mem pro rekonstrukci posv\u00e1tn\u00e9ho prost\u0159ed\u00ed, ve kter\u00e9m kl\u00ed\u010dov\u00e9 f\u00e1ze a \u00farovn\u011b pro\u017e\u00edv\u00e1n\u00ed posv\u00e1tna koreluj\u00ed s f\u00e1zemi zm\u011bny v\u011bdom\u00ed praktikuj\u00edc\u00edho. \u00dakolem praktikuj\u00edc\u00edch je p\u0159ipravit a o\u010distit lidsk\u00e9 v\u011bdom\u00ed, vytvo\u0159it podm\u00ednky pro z\u00edsk\u00e1n\u00ed osv\u00edcen\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vlastnosti posv\u00e1tna odpov\u00eddaj\u00ed z\u00e1kladn\u00edm my\u0161lenk\u00e1m zenu. Za prv\u00e9, posv\u00e1tno v\u00e1m umo\u017e\u0148uje dotknout se pravdy, z\u00e1klad\u016f z\u00e1klad\u016f a prim\u00e1rn\u00edch p\u0159\u00ed\u010din v\u0161ech v\u011bc\u00ed. Pono\u0159en\u00ed se do n\u011bj v\u00e1m umo\u017en\u00ed nahl\u00e9dnout za um\u011bl\u00e1 pouta vytvo\u0159en\u00e1 \u010dlov\u011bkem v prof\u00e1nn\u00edm sv\u011bt\u011b, p\u0159ekonat p\u0159ipoutanosti v\u010detn\u011b vlastn\u00edho \u017eivota a \u201en\u00e1vrat do kone\u010dn\u00e9ho stavu byt\u00ed\u201c, \u201ep\u016fvodn\u00edho p\u0159\u00edbytku\u201c. Za druh\u00e9, celou \u00faplnost posv\u00e1tna, stejn\u011b jako esenci zenu, nelze racion\u00e1ln\u011b pochopit. Zen \u201ez\u00e1pas\u00ed s inteligenc\u00ed, proto\u017ee navzdory v\u0161em jej\u00edm praktick\u00fdm v\u00fdhod\u00e1m br\u00e1n\u00ed na\u0161emu \u00fasil\u00ed pono\u0159it se do hlubin byt\u00ed\u201c. Osv\u00edcen\u00ed nelze dos\u00e1hnout pouze porozum\u011bn\u00edm, asimilac\u00ed verb\u00e1ln\u00edch informac\u00ed obdr\u017een\u00fdch od mentora. Za t\u0159et\u00ed, posv\u00e1tno je pro\u017e\u00edv\u00e1no individu\u00e1ln\u011b, vnit\u0159n\u011b, intimn\u011b. Zen je tak\u00e9 \u201evelmi osobn\u00ed, velmi subjektivn\u00ed v tom smyslu, \u017ee m\u00e1 vnit\u0159n\u00ed, kreativn\u00ed charakter\u201c. Podle zenu se satori dosahuje v\u00fdhradn\u011b vlastn\u00edm \u00fasil\u00edm, je jedine\u010dn\u00e9 a individu\u00e1ln\u00ed. A je to pr\u00e1v\u011b duchovn\u00ed p\u0159ipravenost, kter\u00e1 odhaluje cestu k posv\u00e1tnu; s\u00edla, s n\u00ed\u017e je posv\u00e1tno pro\u017e\u00edv\u00e1no, ur\u010duje nezbytn\u00fd v\u00fdsledek \u2013 o\u010distu v\u011bdom\u00ed a pot\u00e9 dosa\u017een\u00ed osv\u00edcen\u00ed. Posv\u00e1tno pat\u0159\u00ed k nejvy\u0161\u0161\u00edm \u00farovn\u00edm reality, ale je schopno se projevovat prost\u0159ednictv\u00edm p\u0159edm\u011bt\u016f prof\u00e1nn\u00edho sv\u011bta. Mircea Eliade nazval tento fenom\u00e9n \u201ehierofanie\u201c \u2013 posv\u00e1tno, kter\u00e9 se p\u0159ed n\u00e1mi objevuje.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Posv\u00e1tno ve sv\u00e9m projevu d\u00e1v\u00e1 p\u0159edm\u011btu nebo akci zvl\u00e1\u0161tn\u00ed s\u00edlu, kter\u00e1 m\u00e1 v\u00fdjime\u010dn\u00fd v\u00fdznam. Hierophany rozli\u0161uje posv\u00e1tn\u00e9 jedn\u00e1n\u00ed od prof\u00e1nn\u00edho, posv\u00e1tn\u00fd obraz od sv\u011btsk\u00e9ho obrazu v n\u00e1bo\u017eensk\u00e9m spiknut\u00ed. Je-li p\u0159ed \u010dlov\u011bkem skryta hierofanie, z\u016fst\u00e1v\u00e1 pro n\u011bj p\u0159edm\u011bt oby\u010dejn\u00fdm p\u0159edm\u011btem prof\u00e1nn\u00edho sv\u011bta. Jin\u00fdmi slovy, to, co je pro n\u011bkter\u00e9 zasv\u011bcen\u00e9 posv\u00e1tn\u00e9, nemus\u00ed m\u00edt v\u00fdznam pro jin\u00e9, nezasv\u011bcen\u00e9. Nap\u0159\u00edklad akt vytvo\u0159en\u00ed posv\u00e1tn\u00e9ho obrazu je na jedn\u00e9 stran\u011b zvl\u00e1\u0161tn\u00ed akc\u00ed, kter\u00e1 podporuje hierofanii, na druh\u00e9 stran\u011b souborem manipulac\u00ed zam\u011b\u0159en\u00fdch na vytvo\u0159en\u00ed malebn\u00e9ho obrazu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Za zd\u016frazn\u011bn\u00ed stoj\u00ed zejm\u00e9na f\u00e1ze praxe, kdy se akc\u00ed nebo p\u0159edm\u011btem vytv\u00e1\u0159\u00ed posv\u00e1tn\u00e9 prost\u0159ed\u00ed \u2013 podm\u00ednky pro v\u00fdskyt hierofilie. \u201eSamotn\u00e9 Bo\u017e\u00ed zjeven\u00ed je mimo r\u00e1mec lidsk\u00e9 tvo\u0159ivosti\u201c, ale \u010dlov\u011bk, kter\u00fd se chce dotknout s\u00edly posv\u00e1tna, m\u016f\u017ee vytvo\u0159it podm\u00ednky pro projeven\u00ed posv\u00e1tna. Posv\u00e1tn\u00e9 prost\u0159ed\u00ed lze znovu vytvo\u0159it pomoc\u00ed ritu\u00e1lu \u2013 posv\u00e1tn\u00e9 akce, kter\u00e1 je zalo\u017eena na obdarov\u00e1n\u00ed v\u011bc\u00ed zvl\u00e1\u0161tn\u00edmi (symbolick\u00fdmi) vlastnostmi. Ritu\u00e1l p\u0159edpokl\u00e1d\u00e1 p\u0159\u00edsnou posloupnost, jistotu manipulace, v\u0161echny ritu\u00e1ln\u00ed pohyby jsou stejn\u011b d\u016fle\u017eit\u00e9 a povinn\u00e9, proto\u017ee p\u0159esn\u00e1 reprodukce \u201evzoru\u201c zaru\u010duje o\u010dek\u00e1van\u00fd v\u00fdsledek. M. Eliade p\u00ed\u0161e, \u017ee \u201eopakov\u00e1n\u00edm se ritu\u00e1l shoduje se sv\u00fdm \u201earchetypem\u201c a prof\u00e1nn\u00ed \u010das je zru\u0161en.\u201c<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ritu\u00e1ln\u00ed pohyby se li\u0161\u00ed od prof\u00e1nn\u00edch, obsahuj\u00ed zvl\u00e1\u0161tn\u00ed v\u00fdznam zn\u00e1m\u00fd pouze zasv\u011bcen\u00fdm, kter\u00fd pom\u00e1h\u00e1 vytv\u00e1\u0159et atmosf\u00e9ru v\u00e1\u017enosti a zvl\u00e1\u0161tn\u00edho v\u00fdznamu. Po zvl\u00e1dnut\u00ed v\u0161ech prvk\u016f ritu\u00e1lu \u010dlov\u011bk bez v\u00e1h\u00e1n\u00ed reprodukuje rytmicky ov\u011b\u0159en\u00e9 pohyby a spol\u00e9h\u00e1 se na pam\u011b\u0165 t\u011bla. Rytmus \u201eosvobozuje v\u011bdom\u00ed od logiky, to znamen\u00e1, \u017ee je fenomenologicky vede do meditativn\u00edho stavu\u201c. Akce jakoby prob\u00edh\u00e1 sama od sebe, osobn\u00ed ustupuje, do pop\u0159ed\u00ed vystupuje pocit \u00fa\u010dasti na v\u011b\u010dn\u00e9m, nem\u011bnn\u00e9m \u2013 projevuje se posv\u00e1tno.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V zenov\u00fdch praktik\u00e1ch jsou posv\u00e1tn\u00fd prostor a posv\u00e1tn\u00e9 prost\u0159ed\u00ed obvykle vytv\u00e1\u0159eny sou\u010dasn\u011b p\u0159edm\u011bty, kter\u00e9 jsou obda\u0159eny posv\u00e1tn\u00fdmi vlastnostmi a ritu\u00e1ln\u00edmi akcemi. Posv\u00e1tn\u00e9 praktiky se prov\u00e1d\u011bj\u00ed podle jedin\u00e9ho algoritmu, ale svou specifi\u010dnost z\u00edsk\u00e1vaj\u00ed v z\u00e1vislosti na tom, jak\u00fd druh \u010dinnosti le\u017e\u00ed v jejich j\u00e1dru. Pod\u00edvejme se na to na p\u0159\u00edkladu estetick\u00fdch postup\u016f tvorby malebn\u00e9ho svitku a \u010dajov\u00e9ho ob\u0159adu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zdroj \u201ePosv\u00e1tn\u00e9 v estetick\u00fdch praktik\u00e1ch Zem\u011b\u201c<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N.A. Subangulova, N.P. Konovalova<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pokra\u010dov\u00e1n\u00ed p\u0159\u00ed\u0161t\u011b\u2026<\/p>","protected":false},"excerpt":{"rendered":"<p>Zenov\u00e9 praktiky jsou j\u00e1drem mnoha um\u011bn\u00ed V\u00fdchodu a principy v\u00fduky prostupuj\u00ed jak tradi\u010dn\u00ed, tak modern\u00ed kulturu\u2026.<\/p>","protected":false},"author":1,"featured_media":11915,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"_tbt_post_transparent":"","_tbt_post_title":"","_tbt_post_layout":"","_tbt_post_sidebar_id":"","_tbt_post_content_style":"","_tbt_post_vertical_padding":"","_tbt_post_feature":"","_tbt_post_feature_position":"","_tbt_post_header":false,"_tbt_post_footer":false,"footnotes":""},"categories":[19],"tags":[211,169],"class_list":["post-568","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-blog","tag-tea-history","tag-tea-legends","post_format-post-format-image"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Zen practices are at the core of many arts of the East, and the principles of teaching permeate both traditional and modern culture. 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